tag:blogger.com,1999:blog-66756063439789814172012-01-27T22:06:23.237+01:00rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.comBlogger1351100tag:blogger.com,1999:blog-6675606343978981417.post-26351490015005141802012-01-05T20:49:00.014+01:002012-01-05T21:55:52.085+01:00

Volume seven of our ongoing neverending compilation series of yet uncompiled UK 60s BEAT'EM-rarities featuring Slade and 10cc in Pampers, Greg Lake and Ritchie Blackmore in short shorts and other unusual suspects for your pleasure and pain.01.:I Get So Lonely - Tanya Day & The Somebodies (German-only Polydor, 64) 02.:Hans' Knees - The Crescendoes (German-only Metronome, 65) 03.:Lonely - The

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com12tag:blogger.com,1999:blog-6675606343978981417.post-7968715115827579572011-12-30T16:57:00.006+01:002011-12-30T17:33:55.214+01:00

yes: my dear fellow followers: nico again. and no: my dear fellow followers: you can never have enough nico in your collection. part two of a german bootleg collection released in 2002 providing you with more live and studio rarities of the goddess of punk: some may sound familiar, most might not. (part one can be found way down in this=here blog)anyway. please find the complete tracklist and

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-42651641324857366622011-12-23T16:30:00.011+01:002011-12-23T17:57:49.459+01:00

bitches brew in electric ladyland: i am not sure if miles davis and jimi hendrix ever met or even played some music together but of course they were an interpenetrative mutual inspiration to each other. in august 1969 john mclaughlin and dave holland were part of the session group that recorded bitches brew and only half a year earlier (on the 22nd of may as the cover suggests; other sources are

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-14985926633010174902011-12-09T15:38:00.008+01:002011-12-09T17:53:53.292+01:00

i told you before: you can never have "too much nico" in your collection. and here is some more. a collection of rarities and live recordings released in germany way back in 2002. some of these sounds of course are familiar to all of us and are collecting dust deep down in the black holes of our record collections. and some of these sounds of course have never been heard by the majority of

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-78685057857861023352011-12-02T19:42:00.020+01:002011-12-02T20:53:36.043+01:00

Knockin' on Tommy's door. Among the young guns: Mick Taylor, Alex Harvey, Dave Edmunds, John Lodge, Thane Russal and possibly Jimmy Page & Noel Redding. Taste and try before you buy: just a little service for all collectors before they cut off their right arms for a rubbish rubble on ebay. listen, learn, read on: hear first. Today's menue: 01.:What More Can I Do - The Zombies (BBC Session 1-26-

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com11tag:blogger.com,1999:blog-6675606343978981417.post-61666802698736220022011-11-25T16:34:00.008+01:002011-11-25T17:58:42.000+01:00

and john stevens again: one of the most inspiring musicians and mentors in the worlds beyond popular-not-pop music. he was the drummer for the wonderful "we love you beatles, oh yes we do"-session, sat in with yoko and john, proselytised julie driscoll, founded the militant impounding basin for soft machine and was a subtle influence on the failure mode and effect analysis of more than 300

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-64300059839946771132011-11-04T18:56:00.013+01:002011-12-02T20:56:04.584+01:00

KNOCK IT IN AGAIN! KNOCKING NAILS INTO YOUR BRAINS AGAIN: MORE NOISE FROM THE VAULTS OF THE VATI-KANN-ARCHIVES. DON'T LET YER KNOCKERS DOWN! AMEN!! (caught with trousers down: peter frampton, daniel boone, tom jones and the troggs before they knicked presley)listen to:01.:Some Other Guy - The Scorpions (CNR,64, released in Holland) 2'39 02.:Dimples - The Deejays (Polydor,65) 2'01 03.:Jump Back -

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com11tag:blogger.com,1999:blog-6675606343978981417.post-78226382549479718022011-10-28T17:01:00.010+02:002011-10-28T18:35:40.252+02:00

some semi-obscure bootleg recordings, probably released in germany in 1992 in a limited edition of 1.000 copies. play it loud or you never had any sonic youth at all.the very long lee ranaldo solo performance was recorded live on the 9th of september 1991 at the espace omano in paris of all places. the sonic youth tracks two, three and four were recorded in vienna (das ist wien in österreich) on

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-66807088584859828772011-09-30T18:45:00.010+02:002011-09-30T20:47:26.710+02:00

la monte young wrote the original version of the second dream of the high tension line stepdown transformer from the four dreams of china in 1962 and added and complemented the melodic version of the second dream of the high tension line stepdown transformer from the four dreams of china in 1984. eight trumpets recorded their version of the melodic version of the second dream of the high tension

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-12612573812705155082011-09-23T18:07:00.020+02:002011-12-02T20:56:40.170+01:00

BEAT ON THE BRAT WITH A CRICKET BIT AND SILLY WALKING DOWN TO THE BASEMENT AGAIN... (Van Morrison before Them, Alvin Lee before TYA , Alex Harvey unsensational anyone?)JUST WHAT YOU WANT - JUST WHAT YOU'LL GET: LISTEN NOW AND BELOW: 01.:I Don't Care - The Golden Crusaders (Columbia,65) 2'34 02.:I'm Taking Her Home - The Others (Fontana,64) 2'15 03.:Sometimes - Johnny Cliff & The Conquerors (CCA,

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com12tag:blogger.com,1999:blog-6675606343978981417.post-31734330325446678952011-09-23T17:39:00.006+02:002011-09-23T18:07:23.450+02:00

They out-whoed The Who in 1967 and were thrown off the German tour for causing riots while Pete and Co. looked like lame ducks. Keith was impressed, and made sure that such would never happen again. After two formidable 45s for Columbia they've got the boot there for offering a follow-up called "Not The Sort Of Girl You Take To Bed". Just to get banned by BBC for a harmless line like "lift up

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-31446476267854415212011-09-16T16:44:00.017+02:002011-09-16T18:19:04.902+02:00

the ptolemaic terrascope was a british magazine that started in 1989 to explore the obscure psychedelic sounds that influenced the wonderful bevis frond whilst turning into the most comprehensive source for information about mind expanding music throughout the centuries. editor phil mcmullen completed the long strange trip in 2004 with the release of PT35. issues #1 up to #24 each included a

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com3tag:blogger.com,1999:blog-6675606343978981417.post-49615803569725852912011-09-15T19:04:00.004+02:002011-09-16T19:51:57.038+02:00

yeah! the damned! - when in 1988 the damned did not have to stick to a fucking contract they went out fucking live to fucking play their fucking music. ah, well. yes they did. they teamed up with some comrads they had perished before and went out on stage to fuckseliadize some of their elder hit sounds. the album final damnation was released in 1989 to an unwanting and unwaiting audience and to

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-46286989156473381382011-09-02T17:47:00.020+02:002011-09-02T20:02:58.981+02:00

to not be overvaluing the 60spunksongs too much here is a bit of european free improvisation you might not have heard of until now. in 1964 john stevens was the drummer for the carefrees ("...we love you beatles / oh yes we do...") and in 1965 he sat in for jack bruce ("...getting tired of drinking and gambling...") only to be starting to commit a new approach to "music" and sounds.

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com3tag:blogger.com,1999:blog-6675606343978981417.post-83157070447514512011-08-26T20:36:00.029+02:002011-12-02T20:57:18.837+01:00

I've been asked why we don't upload more of this stuff faster?!? Hey, this isn't like squeezing a cd in the slot and up we go! This is hard work going through my collection, including hundreds of ancient, scruffily indexed tapes, some of them reel-to-reel. Then check if the tracks are uncomped. Then digitalize, seperate, index and clean up the sound. Guess, we're pretty fast, as a matter of fact!

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com8tag:blogger.com,1999:blog-6675606343978981417.post-33661818766984872932011-08-19T15:56:00.011+02:002011-08-20T09:20:18.138+02:00

bis zum bitteren ende! until it better ends! (sic!) no, wait. punk had just imploded in 1979 when some german kids - grown and fed up with histler, coke and kraut - loitered around later on and littered about and away all ways. they botchered and banglered their instruments and their language trying to ignore and hand down all traditional lies. this was funny, this was easy, this was cheap. and

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-62091908293623862142011-07-15T17:38:00.028+02:002011-12-02T20:58:08.894+01:00

Brits & pieces 63-67 again! The less known side of the UK BEAT scene. The sick teeth generation: uncombed and uncomped, but ready, willing and able! Rare and well done in 80 minutes.WYSIWYG: 01: Hurtin' All Over - The Creatures (Columbia-CBS, released in USA, 67) 2'10 02: Please Love Me - Mickey Finn & The Blue Men (Blue Beat, 64) 2'17 03: Crocodile Tears - The Richard Kent Style (MCA, oops...:

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-46407972776648762942011-06-17T20:41:00.010+02:002011-12-02T20:58:49.306+01:00

While specialized in collecting ultra-rare German 60s records, it's not like we'd wear blinkers or have cultivated some kind of tunnel view. Going through the archives, we've found a lot of obscure British stuff from the BEAT era. No psych or prog here, and hardly any R&B-monsters, as these usually are comped elsewhere already. I didn't bother checking data bases to avoid every possible doublette

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com13tag:blogger.com,1999:blog-6675606343978981417.post-42946176733065123902011-06-10T16:08:00.010+02:002011-06-10T17:27:25.847+02:00

this cd is volume three in a series of compilations that was collecting recordings that have been exclusively produced for the american label V-DISC between 1941 and 1949 to entertain and support the army and navy troops. unfortunately i do not own any other volumes of this series and some of these recordings might still be unearthed by the time being. (links will take you to wikipedia and

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com3tag:blogger.com,1999:blog-6675606343978981417.post-36388507144908518512011-05-20T11:15:00.023+02:002011-05-20T20:25:21.186+02:00

Another deep dive down into the abyss of unknown local Krautrock 45s of the late 60s and early 70s, rarer than a rabbi in Mecca. - Psychedelic? Dunno, but then again... Progressive?? Maybe (or have been), but ahead of the times these days again. Underground??? Definitely! A saucerful of Sigrids, and a Krautpleaser anyway... Back again with the sound of the sub-krauts. Took quite a while to

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com6tag:blogger.com,1999:blog-6675606343978981417.post-33133971978534670552011-03-18T17:55:00.010+01:002012-01-05T22:02:48.011+01:00

THE UNKNOWN SIDE OF UNITED KROSSDOME : UK XIAN BEAT EXORCIZING PLASTIC UNAVAILABLE - GET SAVED OR GET LOST!!Something completely new and different after hundreds of compilations dealing with UK 60s beat? Yes! (And no...) While lots of nuggets from R&B via Merseybeat to psych excursions can be found on the way to Golgatha, the UK xian beat scene has been widely neglected, or at least ignored. But

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com6tag:blogger.com,1999:blog-6675606343978981417.post-27641286531386817382011-02-11T17:35:00.004+01:002011-02-11T18:05:41.572+01:00

christache. now: most of you survived the prae-kraut-pandaemonium and now we are going to torture you with the wholly trinity ov beat, liverpool and cooking missionaries. and though ass it wil take some time to compile an agape meal of nail hammering christian beat and underground resurrection noises: here is a short glimpse ov what will hunt you when the cock has roached three times and we have

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com3tag:blogger.com,1999:blog-6675606343978981417.post-42178881535544015052011-01-28T18:47:00.009+01:002011-01-28T21:09:14.057+01:00

Hmm, some kind of anniversary here. Awright, time for the real rare teutonic underground beat stuff. Sure, none of the documented vinyl on Prae-Kraut Pandaemonium could ever be easily found, but this volume has about two handfuls of tracks that can't be found at all. (Look at the tracklist.) No scattered Englishmen this time, but the Swiss and Austrian factor is high...Here we go-go! 1: I Can't

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com17tag:blogger.com,1999:blog-6675606343978981417.post-60132740846288467662010-12-31T17:05:00.008+01:002010-12-31T18:10:25.254+01:00

probably recorded during the sessions for trout mask replica late in 1968 or early in 1969 (sounds like new years mourning) this is the captain speaking whilst disregarding a late laid piano and nobody cares either. neither. the dust blows forward and the dust blows back and the wind blows black through the sky the beefheart beats no more slobbery fields forever!can you believears can you? i

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-13135560308264744342010-12-03T19:14:00.010+01:002010-12-03T20:34:07.368+01:00

ELECTRICK LOOSERS VOLUME FOUR - the prae-kraut pandaemonium that never was meant to be. thirty german undergrounded beat garage ravers re-unearthed and ex-zombiefied from the same treasure trove-source that brought you all the other millions off-ucking nukkets of teutonic pampers around your ears - established and ruling since 1987. deadicated to the hellth of the earth, but the world wood never

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com11tag:blogger.com,1999:blog-6675606343978981417.post-86304715738274145182010-11-26T18:37:00.006+01:002010-11-26T19:33:41.629+01:00

strange enough most people believe that the flamin' groovies sacked themselves after the australian adventure and the flop of "step up", a fine album though indeed, but - as all the other 12 or 33 albums before - the 99th commercial flop, a reliable fate, that became the trademark of the world's most underappreciated band since '69. Back in the states they fumbled around with bits and pieces and

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-36294092087330276172010-10-08T17:33:00.002+02:002010-10-08T17:56:17.655+02:00

the pope and popeye have been fighting relevant battles these days downtown stuttgart and had a hard time obeying to the non-violent agreement of wiping the pigs away, but somehow it seems to work. we'll be back with more action sooner or later, but here's a little reminder... we're still alive and well! no scans, no pictures, but you probably know anyway how switzerland's most radical punk band

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-34988000763653480112010-07-02T16:00:00.007+02:002010-07-02T17:46:28.650+02:00

those who only know the letter do not even know the letter and are doomed to repeat history right here: alex chilton was a punk before you was a punk and he shipwrecked and broke down where others did not even dare to accept the challenge.down in the deep black holes of my tape collection i unearthed the tapes of two live concerts that LX executed in germany way back in february 1988. the alex

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com10tag:blogger.com,1999:blog-6675606343978981417.post-22436627806577731312010-06-18T15:55:00.006+02:002010-06-18T18:23:21.657+02:00

in 1987 the lolly pope and me=myself saw doug sahm and the texas mavericks play live in tübingen, a very pleasing evening at the old amerika-haus close to the blaue brücke organised by one hans kesteloo. unfortunately no recordings of this event seem to have survived, but in the deep black holes of my collection i found a tape of their gig in bremen only four days earlier. this tape is what you

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-54420372866711760452010-06-04T17:33:00.008+02:002010-06-24T18:38:46.433+02:00

and though the music he released in 1976 was rather boring kevin ayers still was a very lovable and fascinating entity live on stage. on the 19th of august northwestgerman radio bremen recorded an evening with kevin ayers live at the famous postaula in bremen of which at least seven songs were broadcasted some days later. though we can only guess who was with him that evening it is most likely

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com10tag:blogger.com,1999:blog-6675606343978981417.post-34068595954163212712010-06-04T16:41:00.008+02:002010-06-04T18:44:55.525+02:00

the term "spurensicherung" points you to forensic crime scene investigations as well as to german conceptual art in the seventies of the last century. and sometimes the securing of evidences is more cheerless than cheerleading. for your and my very own discomfiture i saved at least 20 of 23 songs the ramones played in hamburg in 1978 from a muffled and crumbled tape i bought in 1979. the sound

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-8817370145309309612010-05-21T18:55:00.009+02:002010-05-27T18:01:22.975+02:00

yeah! underground! yeah! sixties! yeah! germany! yeah! punk! the prae-kraut pandaemonium strikes back and forth with an other compilation of teutonic beat, mayhem and all=too=rare noise! this is not fucking white pride: this is this is this is blatant prae-kraut obscurity: some twenty=eight pieces of "music" no=one has ever heard of. off we go! power pop psych garage punk underground for your

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com12tag:blogger.com,1999:blog-6675606343978981417.post-23298607768343982322010-05-19T19:27:00.006+02:002010-05-19T20:34:20.336+02:00

though roy loney had left the flamin' groovies in 1971 the music he played throughout the following years of course was not only a footnoting appendix to the history of bright and clever power pop punk. and having been a subscriber to bomp magazine since the early seventies i always loved his kind of understated rock and was very glad that i had found the fondellas in 1999. so it is a shame he

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-11612522444564200122010-04-24T20:40:00.000+02:002010-04-25T12:04:53.734+02:00

nichts was ihr nicht sowieso schon in der sammlung habt: and of course you can find this one in your own collection. but most of you will never have heard it THAT loud: a german promo single released or not released in august 1977: the vibrators live executing london girls and stiff little fingers (missprinted on the label as "stiff little singers"): und an manchen tagen wie heute=jetzt sind die

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-45903272213349482512010-04-23T22:57:00.011+02:002010-04-24T15:55:19.235+02:00

eine kleinigkeit haben wir denn doch bei unseren vertriefenforschungen im bereich der kraut-pilze übersehen: nämlich dies=hier. 1973 hat bayer ein breitwandmedikament gegen pilze entwickelt und mit einer schallplatte gefeiert: CANESTEN wird zunächst von mittelbau-manager(inne)n beschrieben (hier: hintendrangehängt) und dann von wolfram brunke mit musik umspült: krantz krossartick! (tzwaar

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-15483333038152684172010-04-23T21:33:00.011+02:002010-04-24T15:24:05.484+02:00

a 25-cm / 10" shellac record probably released in the late 50s of the last century of the last millenium. thee holy order of rosicrucian behaviour here lets you know how to conquer the world and your beautiful selves: holy war! you will never be the same again. all your gods will be with you: exhale slowly! doch warum sollten die rosenkreuzlerianer nicht die heilsbringer der einen einzigen

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-28049307586639693242010-03-26T17:18:00.001+01:002010-03-26T17:20:40.131+01:00

exactly what the headline says: the damned live in hamburg recorded on the 19th or 20th of october 1977 (see their live performance index for details). the damned in 1977 of course were rat scabies on drums, brian james on guitar, captain sensible on bass and guitar and dave vanian on vocals. and though this is a rather muffled and bad recording (probably with my old mono-recorder well hidden

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com3tag:blogger.com,1999:blog-6675606343978981417.post-90102879236976472742010-03-26T16:04:00.006+01:002010-03-26T17:15:45.325+01:00

sixtyseven minutes of rare, obscure and sometimes unidentifiable amon düül 2 sounds mixed into one long track for whatever reason: in 1996 captain trip released this mash-up collage of odds and ends as a free give-away and it is long since out of print. no further information was included except for the foretelling adumbration that some of this material originated from some embryonic ur-düül in

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-45532747407838131062010-03-11T18:31:00.007+01:002010-03-11T21:34:30.696+01:00

some of you might think that the beach boys were clean, glossy and smooth: but in 1966 they were not. they were horrible, bothersome, proto-industrial and a lot of fun. before they released their eleventh album pet sounds in 1966 they executed some at least interesting noise in their rehearsal room and you can hear dolce notes gone wrong, wrong takes, wrong breaks, wrong, wrong, wrong. and false.

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-54996711620728861072010-02-26T20:08:00.007+01:002010-03-13T16:32:05.729+01:00

nachdem ende 1984 in düsseldorf die ausstellung von hier aus 64 meist bundesdeutsche künstler mit aufbrüchen zu neuen gestaden präsentiert hatte antwortete emilio winschetti gegen ende des jahres mit der hannöverschen suche nach neuen ufern: einige dutzend musiker(innen) und künstler(innen) wurden an die leine genommen und dem kreativ-brodelnden untergrund der sturmfesten niedersächsischen

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-50102101038519698902010-02-26T17:02:00.004+01:002010-03-13T16:30:41.824+01:00

meine lieben. diese erste pogo-nacht damals am 17. mai 1980 in winnenden in der nähe von stuttgart war klasse; leider sind die aufnahmen scheisse. manches ist nur fragmentarisch und dumpf auf der kassette erhalten, titelangaben und besetzungen fehlen und vermutlich sind die angaben auf dem cover sowieso insgesamt falsch. meine erinnerung an diesen abend ist eine ganz andere (ich bin mit einem

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-35705305889964887812010-02-12T16:26:00.003+01:002010-03-13T16:30:41.824+01:00

trash, baby. a mono live recording ripped from an amateur video shot in rimini on the 15th of april 1988. harsh loud lo-fi trash. great. the fuzztones.the fuzztones for this=here execution of noise were link protrudi (guitar, vocals, harmonica), jordan tarlow (guitar, vocals), mad mike czekaj (drums, vocals), jason savall (keyboards, vocals) and john carlucci on bass. a 70 minute one track mind:

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-67145549245042669782010-01-29T19:55:00.004+01:002010-03-13T16:31:19.586+01:00

in 1980 the kassel band samler desolated the documenta-area near the german frontier and headed for berlin to record two tracks of northwestgerman psychpunkmayhem though homesickness made them leave ghost-town immedeiately and sent them back home to plant some 3000 oaks. no, they did! the four very young kids spent the summer of june 1980 in berlin only to vanish in obscurity right away. but

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com5tag:blogger.com,1999:blog-6675606343978981417.post-29530731315823631512010-01-29T17:16:00.006+01:002010-03-13T16:31:19.587+01:00

in the late seventies and the very early eighties of the last century the children of hitler's children, the children of cola, cold war and dutschke in the plains of the northwestgerman low lands created and elaborated a very special psychedelyric unstyle of musick: the 39 clocks of course were the spearhead of these ayers-, fowley-, rough trade noises, but a lot of (now) obscure bands antedated

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-74073829609809943842010-01-29T12:28:00.004+01:002010-03-13T16:32:05.730+01:00

sonic youth. the mira tapes. live at the aladin in bremen on the 27th of august 1991. this cd seems to be the bootleg version of the half-official live in bremen album, recorded from a different position in the room and with a slightly different tracklist. as both albums are unavailable by the time being these sounds might add an interesting aspect and facet to the history of sonic youth music

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-22231643027106197922010-01-15T20:20:00.002+01:002010-03-13T16:30:41.825+01:00

in 1971 francis durbridge shot the crime thriller "das messer" for german television and he invited can to contribute some improvised music to the soundtrack. scaffolding their hit-single spoon analyzed and treatized the sounds they saw and captured the score. you can hear 20 minutes of sound recorded directly from 70s television to an old reel-to-reel to my heartdrive: unfortunately too few

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-14703146180447505022010-01-01T20:45:00.009+01:002010-03-13T16:30:41.826+01:00

the 39 clocks. the spearhead of the northwestgerman psychodeliatric blaireblackblurt punk movement dancing away editions of you in the early eighties of the lastlast century: fed up and fed up with punk (at least the idiot version), disco (the no-meta, straight-straight version: dance if you do not know why you are a heteroe-heroe) and rock (unless you psych-out!): bored teenagers with stars on

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-29626188251009266372009-12-04T16:33:00.004+01:002010-03-13T16:31:50.536+01:00

an audience minidisc recording that has been circulating amongst heartcore collectors for quite some time now. two cd-r, no cover art, no tracklist but 110 minutes of sheer and pure energy.recorded live in austin texas 2003-05-10 you can hear peter brötzmann (reeds), hamid drake (drums) and william parker (bass). do i really need to say more? (on the next day by the way frank rubolino saw them in

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-83282777535143850702009-11-06T17:51:00.013+01:002009-11-15T19:28:38.124+01:00

german 60s garage beat punk underground: prae-kraut mayhem huns: 30 tracks to weltgeist away your pretty little minds: and you will never be the same again: ohNO! - their crazy music drives you insane: this way:the prae-kraut pandaemonium is an ongoing and everlasting series of compilations exploring german 60s underground music. the first 15 volumes hit your record player as 12-inch vinyl while

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com5tag:blogger.com,1999:blog-6675606343978981417.post-27186728607711953702009-10-16T15:59:00.007+02:002010-03-13T16:31:50.537+01:00

why do we waste our time listening to kevin ayers and lol coxhill? - if you are asking your beautiful selves this question you might be reading the wrong blog, bloke! why do we waste our time listening to kevin ayers and lol coxhill? because we can and yes we can! and for your and my listening pleasure here are some obscure tracks i found in the black holes of my collection.in 1996 the british

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-30514756113146844962009-09-25T16:42:00.006+02:002010-03-13T16:31:50.538+01:00

on saturday the second of november 1974 the trio of peter brötzmann (saxophones etc), fred van hove (piano) and han bennink (drums & devices) appeared at the total music meeting at the quartier latin in west berlin headlining together with michel waisvisz, hans reichel and the globe city orchestra. as far as i know no recordings of this event survived but a cd-r credited to "the peter brötzmann

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com7tag:blogger.com,1999:blog-6675606343978981417.post-57284702125673810642009-09-11T16:10:00.005+02:002009-09-11T17:06:44.987+02:00

die band heisst wohl hertztöne und hat kaum spuren hinterlassen. gewisse indizien lassen darauf schliessen, dass sie aus der gegend von lomersheim oder vaihingen/enz stammen. aufgenommen wurde diese 25-cm-lp im tonstudio zuckerfabrik in stuttgart vermutlich um 1980 herum; die von pentangle und burg waldeck beeinflusste musik fiel um jene zeit sogar für schwäbische verhältnisse völlig aus allen

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com6tag:blogger.com,1999:blog-6675606343978981417.post-4347122744835596602009-08-22T22:37:00.002+02:002010-03-13T16:30:00.070+01:00

the stormclouds were louise allen (voices) and steve lines (guitars). as a part of a long list of long lost recordings they released this wonderful flexi 7" in 1988. to find out more about the stormclouds please visit their web of dreams.but for now: stumble, tumble and fall in love with the creature from galaxy x and he´s trash (mp3, 256 kbps).

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-76747674231536352942009-08-14T17:41:00.006+02:002010-03-13T16:32:05.731+01:00

aaahh, come on: NO! you can not download these two albums here. and far from it and beyond that thought i would like to encourage you not trying to find the music shared as files somewhere else in this=here blogosphere but simply to buy these two brand new cd albums: ask your local independent retailer or your favourite mailorder or amazon for heathensake. but please in this special case do not

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-62229282181529215492009-08-14T15:40:00.011+02:002010-03-13T16:30:00.071+01:00

snapshooting the state of harsh art and neu noise in 1999. in berlin the neue berliner initiative ran a test area to explore and improve the heritage of old school industrial music extrapoloiting into the 21st century: der garten der verschlungenen pfade / the garden of forking paths. only weeks before these proving grounds were closed they released this compilation of performances that outcame

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-817856575237781012009-08-14T15:30:00.000+02:002009-08-14T17:13:44.606+02:00

pringles potato chips: suitable for vegetarians!

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-72663958466525639352009-06-05T18:15:00.010+02:002009-06-06T23:02:22.451+02:00

and the german kraut underground garage zweifamilienreihenhauskeller strikes again! extrapoilating the tradition of kraut!demons!kraut!, kraut-bloody-rageous, obscured by krauts, kraut mask replica and hungry krauts daddy here is an other online-only compilation of rare-rare teutonic noise created in the no-time between 1969 and 1975. kraut! tune in. turn on. and: drop kraut!20 tracks of most

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com16tag:blogger.com,1999:blog-6675606343978981417.post-18226751742646969282009-06-01T13:28:00.006+02:002010-03-13T16:31:50.539+01:00

while searching through the homestead records page on discogs i noticed a gap between HMS 104 and HMS 106. and guess what?! i found HMS 105 in my collection. and it is of course this-here extended play record by the happy flowers released in 1987. and though these three songs (together with 32 others) have been re-relased on the collection flowers on 45 in 1992 most of you might never have heard

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-84480888615042182009-05-08T16:21:00.005+02:002010-03-13T16:30:41.828+01:00

stuttgart 1981. three very young girls bunked off school, formed a punk band and charmed and captivated all of us. susanna sat in on drums, stoic gabi played the bass and petra was heard on guitar and vocals. only very few recordings survived: some of the following tracks made their first public appearance on kraut mask replica, while the complete weilheim performance remained un-published until

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-47429774165524254402009-04-06T18:21:00.020+02:002009-04-17T16:22:29.721+02:00

the prae-kraut pandaemonium is an ongoing and everlasting series of compilations exploring german 60s underground music. the first 15 volumes hit your record player as 12-inch vinyl while some of the music (plus additional sounds) was released using compact discs later on. as disposition became awkward we decided to release the latest results of our researches through the world wide web for free

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com9tag:blogger.com,1999:blog-6675606343978981417.post-90914139274684586722009-04-06T08:44:00.012+02:002010-03-13T16:31:50.540+01:00

only as recently as the other day the inconstant sol from next-door offered some wonderful john stevens music and i thought it would be appropriate to add some more to express my gratitude. and for the initiated of course: this is the second appearance of rare john stevens sounds in this-here blog: scroll down to find him exploring the blues with dick heckstall-smith of all people.these

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-62279887509316709332009-02-27T15:40:00.008+01:002009-02-28T08:53:53.267+01:00

oh, dear. here is another find i made in the shallowness of my computer: 14 tracks the rutles probably recorded in a rehearsal room situation in 1978. but as i am not a dedicated collector nor an archaeologist of their work (all their recordings i own came to me by chance) i can not tell you whether these tracks are commonly known by everybody or if they are rare in any way. anyway: i love

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-37946423376899598582009-01-30T18:52:00.009+01:002010-03-13T16:31:50.540+01:00

This compilation was intended for release in 2004 as the 5th edition of a CD-series dealing with rare and unreleased Kraut(rock) rarites, which started with Kraut! Demons! Kraut! and went on with Hungry Krauts Daddy, Obscured By Krauts and Kraut-Bloody-Rageous (ed.-note: i guess you know where and how to find these?!??!). The number five dive into the abyss of the bottomless kaut barrel never saw

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com17tag:blogger.com,1999:blog-6675606343978981417.post-9773624869255446192009-01-30T17:04:00.003+01:002009-01-30T17:59:25.392+01:00

in 1973 samuel fuller directed an episode of the german television crime scene series tatort (site of crime) called tote taube in der beethovenstrasse (dead dove on beethoven street). the music for the soundtrack was provided by can offering recurring variations on vitamin c and some lowering litter loops recorded in 1972 (damo suzuki can still be heard). some eighteen minutes of the original

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-31530133840105905542009-01-16T16:22:00.003+01:002010-03-13T16:30:00.074+01:00

as you might remember: last june i was rhapsodizing away about das furlines, the all-girl group the wonderful deb "krautheim" o'nair joined after she had left the fuzztones in 1985. that previous post mentioned only 16 words ago included a live concert recording from 1986 and a lot of further reading and continuing education. prementioned in that post was a version of the german x-mess carol "oh

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-60241412013388844032008-12-30T18:18:00.011+01:002010-03-13T16:32:05.732+01:00

as i told you in the previous post kim fowley had to escape to a berlin hotel room after he had been casted off the stage in 1992. the brave people of the stuttgart psychonaughts metabolismus there and then helped him through the night whilst smashing their guitars following kim fowley moaning and ranting on and about immanent inconsistancy. yes: fun they had and fun they passed over to a

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-43907323211074946322008-12-19T17:55:00.005+01:002010-03-13T16:31:50.541+01:00

in 1992 kim fowley visited germany to play one concert in berlin on the 26th of october. being fowley as kim those days he entered the stage backed not only by his wonderful musicians (chris wilson, david carr, eric, peter radszuhn and some more) but also by some naked angels who were female, angels and naked. the berlin post-squatter audience was not amused and clubbed him out off the club

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-2340180434249938902008-10-09T18:49:00.010+02:002010-03-13T16:31:50.542+01:00

though joel futtermann, jimmy lyons and robert adkins of course are not the first three names you would think of when it gets to the points of free jazz they had and have their respective merits not to be forgotten. joel futtermann (piano) is one of a few improvising musicians who succeeded to extrapolate the obvious influence of cecil taylor and jimmy lyons (alto saxophone) is well remembered as

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com5tag:blogger.com,1999:blog-6675606343978981417.post-17803289571812720842008-09-30T19:30:00.003+02:002010-03-13T16:32:05.733+01:00

and yes: the 39 clocks again (do they annoy, bore or ignore you at least??) live in hannover 1983, may or july. the tape seems to be dubiously disputable but the encore is re-great. so here is only 20 minute of an hour-long concert; more might follow and more 39 clocks and friends and relatives can be found in this here blog or some where else. listen:DNSlouie louieDOMthe 39 clocks - 3 tracks

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-46878896820446564452008-09-26T20:25:00.005+02:002010-03-13T16:32:05.734+01:00

searching the web and the blogs i noticed that people were eagerly searching for some sonic incidences of albrecht/d. and the 39 clocks (they never met, though). some re- and aspects of both might be found in this-here blog following the appropriate label-tags. or to make things even more easier again and again and again: here is some albrecht/d. for your pleasure: (more 39 clocks can be found

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-27881400839242834812008-09-26T18:40:00.006+02:002010-03-13T16:30:41.831+01:00

no pictures: no. nothing. in the city the 39 clocks always were wearing disguises; their refrigerator was occupied by three or four bottles of stiff scotch and some used disposable syringes. no pictures: no. nothing. no trouth. no lys. the 39 clocks always beat. lie beat drown beat psycho beat. some of their music survived. some how some where. here is some more. to find some links, exploiration

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-21809796793806152372008-09-09T18:30:00.006+02:002010-03-13T16:30:00.077+01:00

germany felt dreary, muddy and mirthless in those days. the only benefit you could expect from the government was a free licence to commit simultaneous suicide. the hippies had taken with them all hope for a better world into some obscure hermeneutic post-stalin circles. and we had fun dancing on all these graves. and though we were foe to all and everyone we hated the nazis most of course.in

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-49143188874654049192008-08-29T15:57:00.008+02:002010-03-13T16:30:41.832+01:00

dearset: as you might remember: in an earlier post in may 2008 you could hear all that noise that way back then i thought was the only relict of all that noise that happened at an anti-fascist festival in september 1979 in berlin: about an hour of rather early german punk without fear of contacting singersongwriters and avantnoise. but all of a sudden and completely by chance one joost (who was a

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-19430811350496317252008-07-18T18:04:00.018+02:002011-07-01T19:36:35.390+02:00

(please note: some download-accelerators and some unzip-programmes seemed to experience some difficulties handling the 150-mb-file way down below at the bottom of this post. so i decided to split the file hoping to avoid further inconvenience. please save both files into one folder before unzipping and please let me know if this approach could help. thank you.)the prae-kraut pandaemonium as you

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com7tag:blogger.com,1999:blog-6675606343978981417.post-71601646591819011842008-07-04T17:33:00.005+02:002010-03-13T16:32:05.735+01:00

yes: this tape art sampler was called "tape art sampler". in august 1982 one dieter heyer (got lost in the process of growing old) compiled this tape of harsh internatyonal noise: handwritten on xerox, stencilled and scribbled an edition of some 20 copies was given away to friends and relatives. and though most of these tapes absconded into obscurity the black hole of my amorphic random

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-77521399683107527832008-06-20T16:23:00.009+02:002010-03-13T16:30:41.835+01:00

in 1985 the wonderful deb o'nair left the fuzztones for better, worse and das furlines. the name of this all-girls neo-polka kraut-punk band obviously is a permutation of the german word "fräulein" and sometimes is spelled "das furlines" or "das fürleins" or even "das furline". and nobody knows if it really happened...das furlines most of the time were wendy wild - lead vocals, banjo, guitar; the

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-19067364714177034022008-06-06T20:13:00.004+02:002010-03-13T16:32:05.736+01:00

düsseldorf hat ja meistens keine ahnung von irgendwas: früher und schricker und schrölliger als die provinzen zu sein ersetzt noch lange keine intellektuellen höchstflüge. doch lutz mommartz scheint mir eine ausnahme. 1967 kraut kraut with the iceni.

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-82848572051899879122008-05-27T17:19:00.007+02:002010-03-13T16:31:19.592+01:00

in the early eighties of the last century the southwestgerman university of tübingen was the centre of young noise and pop activists (with purple flashes) occupying capital equipment and ignoring outdated factors of production an distribution. they used punk and avantgarage to attack the rotten system and to attack even more eagerly the even more rotten music industry. the new music was almost

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-3655733051626978782008-05-21T18:23:00.010+02:002010-03-13T16:32:05.737+01:00

(...please don´t let me be misunderstood: the fine art of anti-fascism unfourtunately only experiences a very short tradition in germany (the fine art of anti-fascism unfortunately experiences an all-too-short tradition: activists tend to treat nazis right on their heads without trying to destroy the still active and living culture of nazi-structures that built the long gone federal republic of

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com3tag:blogger.com,1999:blog-6675606343978981417.post-62485877773614213492008-05-21T17:44:00.005+02:002010-03-13T16:30:00.079+01:00

the leather nun aka lädernunnan are/were a swedish rock/rock unit obviously and literally inspired through/by smoothtight velvet underground paranoia and pop-coum throbbing gristle. when they started in 1979 they were branded as being industrial noise, but later-on the light shone through. on the 19th ov october 1986 they dis-appeared in stuttgart like this:(intro. prime mover. i´m alive. that´s

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-43020458671754826372008-05-21T16:54:00.004+02:002010-03-13T16:32:05.738+01:00

and yes: exactly what the heading says: two weeks ago i started my very own video broadcasting channel on (...erm...um...) youtube. featured for your pleasure: stuttg_art fluxus leg_end albrecht/d., the post-post avantgarage noise unit sturclub, some free european improvisation deeply hidden and unearthed at long last in the black holes of the interinternet, free floating dilletantees and more

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-59453762988965141882008-03-28T21:09:00.006+01:002008-03-28T21:21:52.744+01:00

in 1985 (probably it was 1985 but memories tend to vanish) the first edition of the german splendid magazine included a flexi-disc with two music machine tracks that were unreleased until then. to dignify this release the the god-like god sean bonniwell came down to "earth" to introduce what he did 20 years ago. most of you will know some versions of these tracks, but anyway: be glad for the song

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com5tag:blogger.com,1999:blog-6675606343978981417.post-67153894878756538782008-03-28T19:38:00.003+01:002010-03-13T16:30:41.839+01:00

a few weeks ago i was ranting about southwestgermanprotopostpunk and how it was invented in the metropolis of ulm in 1981 and why revolutionary noise units could only survive in the jerkwaters of the river neckar. here is some more: a c-20-tape i found in the proverbial black holes of my collection. bernhard stichler (gitarre, bass, drums) and konrad kummer (gitarre, bass, synthesizer, voice)

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com3tag:blogger.com,1999:blog-6675606343978981417.post-38274018533489465772008-03-17T16:59:00.003+01:002010-03-13T16:30:14.803+01:00

stuttgart. southwestgermany. 1969. three or four or five schoolboys got down on their knees to worship jimi hendrix. and though they came to grief coming up to their goddess they invented a warship of their own: the five fold shade. loud kraut, bloody botchers, illuminated.the stuttgart sixties scene was much wilder than you would dare to expect. we had our own little reeperbahn, where striptease

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com3tag:blogger.com,1999:blog-6675606343978981417.post-77376761417654692762008-03-08T00:30:00.002+01:002010-03-13T16:30:00.080+01:00

another! girl!! another!!! planet!!!!eeendlich die japanische version... chink punk at least...dadance or play hooky or listen to blue oyster cult to bonzaii or banzaii and flirt with death...|>> the japonesian balls foundation - planetgirl (2006)(mp3 / ripped from youtube /anyone can do...)

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-18313733498290418632008-03-05T22:10:00.005+01:002010-03-13T16:30:00.081+01:00

experimental standard deviation: empirische standardabweichung. southwestgerman proto-post-punk coming to griefs. 1981, okay! - disnormative pretence for the frg! and yes: we had some kinda fun. one hour of raw and rough rehearsal room uncuts and destroycordings. you will listen once and never listen twice. to fail through, honey, was the only way to experience and to extrapolate heroeism during

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-7725600361855607862008-02-29T21:11:00.005+01:002010-03-13T16:30:00.082+01:00

never listen to a word that i say!!! PIL public image limited hit the RITZ in 1981: MAY15:1981...PIL!! new york, 1981, 15th of may, the ritz. RITZ! (...) PIL scream behind a screen. (and destroyHAHAHAH!!) (krck) POP TUNES!MORE RITZ RIOT INFO...|>> PIL - RITZRIOT (mp3 / 320 kbps / 36 mb /direct download)no german version...

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-31214589365966080202008-02-29T20:48:00.005+01:002010-03-13T16:31:50.545+01:00

the portsmouth sinfonia in 1972 were a task force to re-claim (european) classical music for the overawed and frightened. blitheful dabblers, free improvisers and straight-edge masters teamed together for a completely new version of listening to and generating classical music: no sheets, no score, no master. they released four or five albums of dilletante readings of vintage prescriptions

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com5tag:blogger.com,1999:blog-6675606343978981417.post-90665073525419958792008-02-25T19:54:00.003+01:002010-03-13T16:30:00.083+01:00

always different, always the same: the fuzztones.in 1985 the fuzztones conquered europe and hit some stages in nuremberg, hamburg and the dutch city of leiden in the netherlands of holland: though there MUST be more tapes mavericking around the world these are the only ones i could find to share with you.but listen close: some enthusiastic comment forced me to warp through the black holes of my

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-21564838387487750062008-02-15T18:01:00.005+01:002010-03-13T16:32:05.738+01:00

1980 veröffentlichte ART, die einzige band der welt, auf dem einzigen label der welt die einzige schallplatte der welt. so steht es geschrieben und so wird es hier nachgewiesen. in 1980 "ART - the only band in the world" released "the only record in the world" on their own "the only record label in the world"; followed of course two years later by "the only compact cassette tape in the world"..

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com3tag:blogger.com,1999:blog-6675606343978981417.post-13026827717742025402008-02-03T14:47:00.000+01:002010-03-13T16:30:41.840+01:00

this tape is a collection of tracks stuttgart fluxus activist albrecht/d. commissioned and compiled in 1982. the young artists involved all were semi-celebrities of the southwestgerman tape and avantg/art sqatter punk underground and suddenly found themselves lined up with beuys, diter rot, throbbing gristle, ben vautier and nam june paik in the edition reflection press, an unfortunately much too

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-56112129224623301172008-01-25T19:52:00.000+01:002010-03-13T16:31:50.546+01:00

grundlegendes und grundsätzliches über tapezines und deren rolle als vorläufer der heutigen podcasting-welle (tapezines of course must be seen as precursors of podcasting) habe ich ja bereits in io++010 abgehandelt; dazu ist aber mehr und wird auch mehr zu sagen sein. heute wird dem mosaik ein weiterer glittersplitter zugefügt.im titel dieses beitrages schreibe ich natürlich absichtlich "f#ck",

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-61982993885221333752008-01-25T18:45:00.000+01:002010-03-13T16:31:19.594+01:00

the hinterland of nowheria: ulm 1981. federal german bands in those days of course could not even try to imitate the pop-feeling of punk. so they created their own version of post-punk as a starting point instead.so richtigen punk konnten die deutschen damals (1977 bis 1982) allerdings nicht: entweder war es zu brutal und ohne lockerness oder zu sehr fun und ohne widerstandsstrategien. ausnahmen

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com1tag:blogger.com,1999:blog-6675606343978981417.post-24588166518168230432008-01-03T20:59:00.001+01:002010-03-13T16:31:50.547+01:00

KLAR!80 in the early eighties of the last century was a stubbornheadstrong german label for avantgarde-trash recordings that were released on compact-tapes exclusively. kassettentäter. a place for afield-recordings, sketches of pain and bursting satori. seltsam: die anderen veröffenlichungen auf dem düsseldorfer kassettenlabel KLAR!80 sind erreichbar: weit verstreut zwar aber zu finden. diese

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com4tag:blogger.com,1999:blog-6675606343978981417.post-40662383431901524332008-01-03T17:17:00.000+01:002010-03-13T16:30:00.087+01:00

as i mentioned before and as i will continue to be mentioning on and on again: the 39 clocks were the most important (though not most prolific) german band in the late seventies and early eighties of the last century. the minute they invented psycho-beat they istantly and presumptuously snotnosed their own meisterplan of revolt-into-style and ignorance-is-bless-attitude: the people want what the

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-48534842436860543292007-12-31T19:55:00.000+01:002010-03-13T16:30:00.089+01:00

yes: the fuzztones again. no-one here in this here blogspot-shareosphere seems to care about them: i offered and begged you to listen to the fuzztones live in nuremberg and live in hamburg, but you took nico and john cage instead. blissfully ignorant innocent clueless naive and unsuspecting followers of avantgarbage: we are heading for your heads again!the five fuzztones toured europe in the late

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-8839252536288192322007-12-24T19:24:00.000+01:002007-12-24T19:33:59.757+01:00

x-mess-time is pop-quizz-time...yes: you all know this band, you all have their records in your collection, but you never listened to them. who are these guys, when did they record this track and what is the title of it??!!!no, there is no price to be won except for being the first to comment and to guess right...mystery track

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-18226810198613013522007-12-24T17:18:00.000+01:002007-12-24T19:02:57.045+01:00

when in 1968 guru guru groove were part of the spearhead of the young kraut explosion they were a few days older than the rest of the movement. mani neumeier and uli trepte had been working in free jazz bands and ax genrich had played country rock for american soldiers in some heidelberg clubs. so their music was better rehearsed and for my ears they always sounded much more conventional than (

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com0tag:blogger.com,1999:blog-6675606343978981417.post-42489059187864805352007-12-14T16:16:00.001+01:002010-03-13T16:30:00.090+01:00

...and the fuzztones again: two days later. you might have heared the fuzztones live in nuremberg on the 10th of may 1985 in a previous post; now it is sunday the 12th of may and the same five people hit the logo stage in hamburg to execute a completely different programme with only very few interferences. only some 45 minutes of this concert did survive on an almost mono third dimengenerational

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com2tag:blogger.com,1999:blog-6675606343978981417.post-64993505026139890432007-12-13T19:15:00.001+01:002011-12-09T15:37:06.767+01:00

nico will always hurt you. and hunt you. and release you.foto: ar/gee gleim cologne 1986here is your copy of the nico cd "abschied", a german bootleg that was released in 1993 both as 12"-vinyl (with 13 tracks) and cd with some additional tracks including songs with kevin ayers, john cale and lutz ulbrich of agitation free. in the meantime most of these versions might be rather familiar to you

rvdhttp://www.blogger.com/profile/14512149067316205681noreply@blogger.com11